Like books? Interested in going behind the scenes at New England’s premier literary event? The Boston Book Festival is seeking interns to help us prepare and execute the festival in October 2021. Given the circumstances of this year, we do not yet have all the details about what BBF 2021 will look like, so we are looking for interns who can be flexible as we determine how to host this beloved signature event in the city.
For this year, we are looking for self-starters who have experience with the following: copywriting and editing; creating and maintaining documents and spreadsheets using Word, Excel, Google Drive, and Google Forms; and familiarity with website content management systems.
It would also be wonderful if you have familiarity with or a willingness to learn about: graphic design; social media marketing (on behalf of a brand, not just you!); communicating with media outlets and community organizations; and distributing marketing collateral.
We hope that you have excellent written and oral communication skills, are highly organized, motivated, project-oriented, willing to work on a team, and knowledgeable about and/or interested in some or all of the following: event production, logistics, project management, and (of course) literature! We really hope that you are fun, friendly, and eager to work with a small, committed group of people in a casual office environment. The good news/bad news is: everyone does everything! Some of it is boring but all of it is important.
The ideal candidate will be able to join the team in March and work through Thanksgiving 2021. Candidates can expect to work between 8 and 12 hours per week through May, and 12-15 hours per week through October. Hours and schedules are flexible; there may be evening hours for special events (plenty of advance notice will be given). We will be able to determine whether hours will be remote or in-person as we get closer to the internship start date.
We anticipate one evening event per month from March through August (some of these will likely be remote, so a good internet connection at home is key). You will also be expected to check your BBF email daily and respond as needed, even when you are not in the office. Boston Book Festival offices are located in Central Square, Cambridge.
Please send a cover letter and resume to Carlin Carr, firstname.lastname@example.org, and please specify any restrictions. Candidates who are invited to interview will be asked to provide a writing sample. Applications are due February 15th.
In this most unusual festival year, we’ve been announcing our lineup in a different way, rolling out our presenter lineup over the last several weeks. Overall, the lineup for BBF 2020 consists of more than 140 authors and moderators who will participate in 55 live and prerecorded events. Just like our attendees, they’ll be tuning in from all over; our presenters hail from 21 states plus the District of Columbia, as well as the United Kingdom and Kenya! Our schedule announcements will be coming soon, but in the meantime, we wanted to share our final set of presenters for BBF 2020, featuring notable names in nonfiction.
Philosophy, Kindness, and Comfort Food
An uplifting session on How to Be a Good Human features Brad Aronson (HumanKind), Max Bazerman (Better, Not Perfect), and Molly Howes (A Good Apology).
A session on gastronomy and memory will whet audiences’ appetites for stories of pioneering figures in the culinary world. John Birdsall‘s The Man Who Ate Too Much is the definitive biography of James Beard. And in her memoir Always Home, Fanny Singer combines mouthwatering recipes with recollections of her mother, the chef Alice Waters.
A fascinating conversation with author Andrew S. Curran on the life and legacy of the philosopher Denis Diderot, based on his book Diderot and the Art of Thinking Freely.
Science, Business, and Technology
As at past BBFs, we will feature several issues delving into current issues in business, science, and technology:
Pioneering reproductive medicine specialist Merle J. Berger reflects on his career in his memoir Conception, and Harvard Business School’s Debora L. Spar focuses on the intersections of how technology governs our intimate lives in Work Mate Marry Love, as part of a session on Love and Technology.
A timely session on Pathogens and Pills brings together biomedical engineer Muhammad H. Zaman—whose new book, Biography of Resistance, traces the tension between humans and pathogens over millennia—and virologist and drug industry expert Peter Kolchinsky, who insightfully explores biomedical research and the pharmaceutical industry in The Great American Drug Deal.
In a session considering troubles in the tech industry, Dipayan Ghosh, author of Terms of Disservice, makes the case for helping the internet work for all of us, not just those in Silicon Valley. Speaking of which, in their new book Voices from the Valley, Ben Tarnoff and Moira Weigel interview several professionals at all levels to find out what working in Silicon Valley is really like.
The past, present, and future of women of color in the tech industry is the focus of a conversation with Ainissa Ramirez (The Alchemy of Us), Susanne Tedrick (Women of Color in Tech), and Bridgette Wallace (co-founder of Roxbury ‘s G|Code House, a co-living, working and learning community for young women interested in tech professions).
Finally, in a session that looks at the upside of business, Rebecca Henderson (Reimagining Capitalism in a World on Fire) explores how restructured capitalism can help tackle critical problems, while Myriam Sidibe (Brands on a Mission) provides numerous case studies of how businesses can both bolster sales and also promote healthy habits.
Stay tuned for schedule announcements (and maybe a few more surprises) coming soon, and in the meantime, if you’re interested in technology issues, you’ll want to check out the audio archives of the BBF 2019 session Technologies of Freedom or Control? with Shoshana Zuboff and Roger McNamee, and then check out the new Netflix documentary The Social Dilemma, which features Zuboff and McNamee and offers great background info for the tech session at BBF 2020!
“It all started around ten years ago—with the appearance of flash mobs.”
I’m sitting at a park in Brookline video conferencing with Judith Stone and Nancy Connery, wondering how the sudden appearance of a large group of people dancing in our current COVID-19 climate would look, and how my interview about this year’s One City One Story (1C1S) initiative of street team volunteers started with a reference to flash mobs.
What a welcome sight a flash mob would be. The idea of a random group of people suddenly bursting into odd, rhythmic movements (regardless of being a little out of sync from only practicing via Zoom), makes me smile. Imagine that wonderful celebration of people coming together, if for nothing else than to express their full-bodied enthusiasm for a few minutes while the world stops and stares.
I can’t help but feel that, at the moment, we are attempting something similar with the tenth annual One City One Story initiative. Each year the Boston Book Festival has chosen a piece of short fiction as a city-wide read, to be shared in classrooms, coffee shops, T stops, and library windows. It is a single story read by a city of thousands, a community built around a shared reading experience, and on the bright side there is no rhythm requirement to join.
In a typical year, the month of September would signal the beginning of the Boston Book Festival season with the distribution of the 1C1S pamphlets to gear up for a weekend long outdoor festival in October; but I, like many in our community, am still wondering when we’ll begin to once again venture outside en masse for things like outdoor festivals.
Executive director Norah Piehl said, “Every year since I started with the BBF in 2011, I’ve put on my One City One Story t-shirt and handed out stories at farmers’ markets, charity bike rides, arts festivals, food festivals, concerts, T stations, and more. Although I’ll miss connecting with Boston’s readers at the same scale this year, I’m really grateful to the BBF fans and volunteers who are helping get the stories out to their own communities.” In a typical year, the Boston Book Festival prints up to 30,000 copies of the winning story in English and Spanish to distribute to area residents, but with the impact of the pandemic lasting through the summer, we haven’t been able to rely on businesses the same way as in past years to help with the distribution of the pamphlets. Grace Talusan, the author whose story “The Book of Life and Death” was selected as this year’s all-city read, suggested a street team of volunteers. In the vibrant writing community of Boston surely there are people who have loved these stories as much as we do and would be willing to help.
Connery and Stone were among the forty or so volunteers who answered the call for help. When I asked them what 1C1S meant to them, Connery responded, “Around 2011, the idea of a book club became too much. We visited the Boston Book Festival and loved the idea of using a short story, like 1C1S, that was easily accessible—this kind of flash fiction. We could give people a week or two to read it and we didn’t have to stick to a regular schedule.”
Stone chimes in, “We noticed people were not serious or careful enough about the books they chose; the titles weren’t always worthwhile. We picked a few of our own short stories, but we knew that with using the 1C1S story, a jury of prospects would have already read it—and even if we didn’t like the story, it would be chosen for its literary merit.”
Hilary Sallick, another volunteer to sign up with our street team of distributors, is a teacher at SCALE, the Somerville Center for Adult Learning Experiences. Sallick used the 2013 1C1S pick “Karma” by Rishi Reddi in a class of hers and was hoping this year’s story would provide a similar teaching opportunity.
She said, “1C1S is an amazing material for students. The writing is engaging, and while it can be a challenging read for the students, it’s rewarding. I remember from ‘Karma’ the theme of immigration and the relationships between the family members. It was beautifully written, quality literature. 1C1S is the real deal, and the booklets are really nice.”
Barbie Savacool, another dedicated 1C1S reader, shared a little about her reading group, Short Fiction on Faith, led by parishioners at Trinity Church in Copley Square, “We meet every other week during the school year, and discuss short stories which are not necessarily overtly religious, but whose themes bring up issues that people of faith can wrestle with. We have been meeting for over ten years, and our material has ranged from classic literature, contemporary fiction, to very recent stories from The New Yorker or Narrative Magazine. We have included the 1C1S stories almost every year, as the material tends to fit our criteria, and we enjoy the local flavor of the stories as well.”
“Distributing each year’s story is a great chance to connect in a very personal way with readers across Boston,” said Piehl, so we knew that despite moving to a virtual festival, we still wanted to give readers the pleasure of having a physical pamphlet. Talusan said, “As a writer, I want readers for my stories, especially those who do not often find themselves reflected in books and TV shows. It’s so thrilling to know that my story will be printed, distributed, and given away for free to anyone who wants it (including in translation and audio).”
This year, Sallick will be teaching her students through remote classes. “The online format of Zoom can be depressing, and it is very, very challenging being thrust into remote learning, but the idea of having and being able to give my students something to hold in their hands is such a gift,” she says. “Having to build a community when we’re not physically in a space is hard,” but Sallick says she has high hopes for “The Book of Life and Death” and the rich ability to read and enter the story with her students.
“This may be a year that everyone hopes to survive and then promptly never think about again,” said Talusan. “There are times when the news of our country is bleak and crushing, but I’m hoping that Marybelle’s story will offer a momentary distraction, a brief respite that reading can bring, and the opportunity to talk to each other and connect about it.”
With the looming election and a focus on social studies, this year’s story, “Sounds like just what we need,” said Sallick. “1C1S is a gift and a resource; I will get the pamphlets into the hands of readers. I promise!” Sallick asserts.
Connery and Stone are also looking forward to sitting down to read and spend the time going through the themes of the story. They host a “Lit Flash” event every year in celebration of 1C1S and have a friend of theirs, Joanne Baker, a 7th and 8th grade English teacher at Boston’s Jewish Community Day School, help teach them what to look for and analyze in short stories. “We’re not Gertrude Stein and Alice B. Toklas,” Stone laughs, but even through our brief interaction, I can see that no matter how you choose to read 1C1S, you will find a way to connect with and enjoy the story.
These volunteers have shown me what the 1C1S project aims to project in such a wonderful way: that full-bodied enthusiasm over helping a piece of flash fiction appear all around the city and last only a brief moment before it dissipates, leaving the Boston community a little more aware and in awe of the crowd of bodies moving around them.
Before I ended the call, Nancy held up all the past stories she’s saved fanned out in her hands, “We have the whole collection!”
I almost got up to dance.
Grace Talusan’s One City One Story virtual event will be held on Crowdcast Friday, October 16, 2020 at 6:00pm.
Additional resources can be found on the 1C1S webpage, including questions for at home book club discussions, a link to submit a piece of writing in response to “The Book of Life and Death,” links to locations where to find the pamphlets around Boston, and links to download the digital pamphlet as well as translations and audio of the story.
Ellie Manning is this year’s One City One Story project manager. She is a second year master’s student at Emerson College in the Publishing and Writing program.
The Boston Book Festival has always featured talented creators of books for all ages, and this year is no exception! We’re bringing together authors and artists for a variety of creative and enriching sessions for young people—you’ll be able to take advantage of the interaction of a live session, or watch lively content on your own time!
Picture book sessions will be divided into three primary themes:
To coincide with World Space Week (October 4–10), authors and illustrators whose work unlocks the mysteries of space and the universe:
Jason Chin, Your Place in the Universe
Julia Denos, Starcrossed
Oneeka Williams, Dr. Dee Dee Dynamo’s Saturn Surprise
Books that celebrate identity:
Derrick Barnes (with illustrator Gordon James), I Am Every Good Thing
Tami Charles (with illustrator Bryan Collier), All Because You Matter
Jessica Love, Julián at the Wedding
ML Marroquin (with illustrator Tonya Engel), My Hair Is Magic
Ashok Banker (with illustrator Sandhya Prabhat), I Am Brown
The sessions above–along with previously announced sessions on social justice and activism–will feature readings from each book, along with interactive content (such as writing exercises and drawing prompts) and, in many cases, an opportunity for live Q&A with the books’ creators. Readings and other sessions will be archived online for the duration of the festival (and in many cases beyond) so that parents and educators can utilize these engaging presentations, readings, and discussions to enrich virtual learning this fall.
Continuing the outer space theme from our picture book sessions, long-time space enthusiast John Rocco will present his gorgeously illustrated book for middle-grade readers, How We Got to the Moon, which was recently long-listed for the National Book Award.
We’re pleased to feature a highly interactive Illustrator Draw-Off sponsored by Candlewick Press, where artists of middle-grade graphic novels face off in a lively and hilarious series of drawing challenges, hosted by Cagen Luse of Comics in Color. The best part? The audience gets to judge each round and crown the overall winner! Confirmed illustrators are Jeffrey Brown (Once Upon a Space-Time), Sophie Escabasse (Witches of Brooklyn), and Shannon Wright (Twins).
As previously announced, we are featuring author-illustrators Juana Medina and Jerry Craft during the BBF and as part of our Shelf Help partnerships with the Rafael Hernández K–8 School and Boston English High School. In addition to being BBF featured presenters, the authors will also virtually visit the two schools in specially organized events by our partners at Wondermore. Donations received in conjunction with their BBF events will be earmarked to expand the schools’ library collections. Jerry Craft’s session at the BBF is sponsored by Simmons University.
For teens, we have two panels featuring a great lineup of talented writers.
First, a session on authenticity and identity, featuring Arvin Ahmadi (How It All Blew Up), Daven McQueen (The Invincible Summer of Juniper Jones), and former One City One Story author Jennifer De Leon (Don’t Ask Me Where I’m From).
Secondly, we have a thoughtful session about friendship and its end, with Justin A. Reynolds (Early Departures), Amy Spalding (We Used to Be Friends), and Ashley Woodfolk (When You Were Everything).
We know that no one (including kids!) wants to spend all day on screens, so we’re giving families two opportunities to explore Boston’s diverse neighborhoods–and to discover great books at the same time. During the month of October, kids and families will find Story Walks in Nubian Square and in Downtown Crossing, with pages from award-winning picture books posted in store windows–just follow the route to read the book in order!
The Nubian Square Story Walk features the book The Undefeated by Kwame Alexander, with artwork by Kadir Nelson, and has been developed in partnership with the Boston Public Library. Thanks to a generous donation by Houghton Mifflin Harcourt, the first fifty families who complete the Story Walk and visit Frugal Bookstore will receive their own copy of The Undefeated to continue enjoying at home.
The Downtown Crossing Story Walk is generously sponsored by Downtown Boston Business Improvement District and will feature the book Saturday by BBF 2019 presenter Oge Mora.
Stay tuned, and check back often on our presenters page for more announcements and updates!
This week’s lineup announcement is all about writers who craft great stories—from hair-raising horror and suspense to tales of magic, from elaborate revenge plots to true stories that trace the patterns of a life. Get to know our fiction and memoir presenters, and make plans to join their fascinating conversations—on screen or through your headphones—this October!
We will be producing this year’s memoir sessions as a series of four audio-only sessions consisting of brief interviews that will illuminate these writers’ captivating stories.
On the theme of Extraordinary Beginnings, memoirists Megan Margulies (My Captain America) will speak about her relationship with her grandfather, a pioneering cartoonist. Indie musician Mikel Jollett (Hollywood Park) recounts his childhood before and after escaping from a cult. And poet Honor Moore (Our Revolution) uses letters, scrapbooks, and interviews to reconstruct the complex, contradictory life of her mother.
Three memoirists recall their academic and professional development in Intellectual Histories. Novelist Claire Messud (Kant’s Little Prussian Head) uses a series of essays to interrogate her own childhood and to explore her relationships with family members and with the work of authors who have shaped her own writing. Influential psychologist Howard Gardner (A Synthesizing Mind) offers insights into his background as well as into the development and continued refinement of his famous multiple intelligences theory. And technology advocate Rana el Kaliouby (Girl, Decoded) writes both an immigration memoir and a passionate argument for her professional work: an emotionally informed artificial intelligence.
Three writers confront emotional trauma and resilience in Secrets, Lies, and the Mysteries of Youth. In her second family memoir, Helen Fremont (The Escape Artist) takes on her family’s history of hiding secrets at all costs. In his latest memoir, Nick Flynn (This Is the Night Our House Will Catch Fire) connects his unhappiness as an adult with his mother’s depression and eventual suicide when Flynn was a child and young man. And poet Betsy Bonner (The Book of Atlantis Black) addresses her sister’s disappearance in a dramatic and innovatively structured memoir.
And finally, three memoirists offer their unique reflections on race and identity. E. Dolores Johnson (Say I’m Dead) traces five generations of interracial relationships. Sejal Shah (This Is One Way to Dance) brings together linked essays on culture, language, and identity as she recounts her experience “growing up Indian outside of India.” And Issac J. Bailey (Why Didn’t We Riot?) combines personal memoir with social commentary as he calls out the racism and hypocrisy at the heart of what he calls “Trumpland.”
Just in time for dark and spooky evenings this fall, we have a star-studded horror/suspense fiction panel, featuring Stephen Chbosky (Imaginary Friend), Joe Hill (Full Throttle), Paul Tremblay (Survivor Song), and Jen Waite (Survival Instincts).
Continuing the Halloween theme, the session “Witches and Other Bad Heroines” brings together four novelists whose work explores female transgression, revenge, and empowerment: Quan Barry (We Ride Upon Sticks), Emily M. Danforth (Plain Bad Heroines), Layne Fargo (They Never Learn), and Alix Harrow (We Were Once Witches).
Three novelists take varied approaches to recasting fairy and folk tales in their latest work. Gregory Maguire (A Wild Winter Swan) sets a Hans Christian Andersen tale in 1960s New York. Andrea Hairston (Master of Poisons) weaves elements of African folktales into her latest epic fantasy. And SL Huang (Burning Roses) merges Chinese mythology and European fairy tales in her latest novella.
Finally, we present a riveting conversation between two novelists whose latest work grapples with the all-too-real emergency of climate change: Lydia Millet (A Children’s Bible) and Jenny Offill (Weather).
And, as an update to an earlier announcement, debut novelist Asha Lemmie (Fifty Words for Rain) will be joining our Reading Like a Writer lineup.
Stay tuned, and check back often on our presenters page for more announcements and updates!
America’s first public high school, Boston’s English High School, has a storied history and today it’s responding to the very diverse needs of its 21st-century student body.
In the hallways, languages from Spanish to Haitian Creole can be heard alongside many others with students coming from diverse Boston neighborhoods. For first-year librarian Dave Barry, the range of interests and languages at his school poses an exciting challenge for the school’s library–one he hopes to take on with a boost from Boston Book Festival’s Shelf Help Award.
The English High School library is the recipient of our 2020 Shelf Help School Partnership, which awards two Boston-area public schools with at least 50 new, specifically curated books as well as a visit by a well-known children’s author or illustrator in collaboration with the Boston Book Festival’s October activities. This year, the visit will be virtual during BBF Online in October, and English High School students will be treated to a very special online appearance by Newbery Medalist Jerry Craft, organized by local literacy non-profit Wondermore.
“To have Newbery and Coretta Scott King award winner Jerry Craft visit us in October will be a joy and a fantastic way to get everyone talking about reading,” says Barry.
Craft is a New York Times–bestselling author-illustrator who has worked on numerous picture books, graphic novels, and middle grade novels, including the graphic novel New Kid, which is being made into a movie in collaboration with LeBron James. “To have Newbery and Coretta Scott King award winner Jerry Craft visit us in October will be a joy and a fantastic way to get everyone talking about reading,” says Barry. Craft’s next novel, Class Act, is a companion to New Kid and will be published this fall.
A school with heart
Getting kids talking about—and hooked on—reading is one of the reasons this long-time high school English teacher switched careers and got certified as a librarian. He saw the library as a place where he could really have a lifelong impact on students.
“I try to get them jazzed about independent reading, everything from fantasy to biography to graphic novels,” he says, “which will hopefully get them excited about reading and learning in general.” Barry is not short on ideas about how to do this. And if the students don’t come to the library, he’ll go to them. “I will also have a mobile book cart and will be visiting classes and taking high interest books with me.”
“I try to get them jazzed about independent reading, everything from fantasy to biography to graphic novels,” he says, “which will hopefully get them excited about reading and learning in general.”
This type of effort is one of many ways the English High School faculty and staff go “above and beyond” for their students. Barry says the school focuses a lot on making students “feel comfortable and inspiring them … and helping them find their dreams.” Teachers host after-school walks to show kids different green spaces like the Arboretum and Jamaica Pond that might be right around the corner, but that students may not have ever seen. English also hosts a Thanksgiving feast every year, where the faculty and staff serve the students. Barry says it’s yet another gesture to make the school into a place where students—many of whom are first-generation Americans—feel like they are part of a supportive community that cares.
Readers for life
For his own efforts, Barry has worked to make the library space lively and interesting. He hopes the Craft visit and new books continue to enliven the library and make it into a school centerpoint. “Once a student loves to read, they’ll have books to turn to life for solace, for inspiration, for information, and for current events,” says Barry. “I think it’s one of the best jobs in education to be a librarian. You get to turn kids on to something that once they see how great it is, then this will be something they can do for their entire lives.”
Quite some time ago, it sank in that the 2020 Boston Book Festival would take place just a couple of weeks before a crucially important presidential election. “What a wild time that will be,” we said, back in 2019 or 2018. Little did we know just how wild things would get. Even though this year’s festival is virtual, our commitment to helping inform readers about the political topics of the day remains essential and real. Today, we’re pleased to announce presenters in two urgently relevant sessions about politics, as well as one more fascinating session about activism and resistance by Black Americans throughout our country’s history. We also are announcing our lineup of poetry presenters, developed in cooperation with Mass Poetry.
In a year when politics are on everyone’s mind, we are pleased to feature two important panels that will prompt deep consideration of our American political systems and landscape.
Black Voters: Power and Promise offers a consideration of a vitally important voting bloc with two authors who urge us to reconsider assumptions about voting behavior among Black Americans: Tiffany Cross (Say It Louder! Black Voters, White Narratives, and Saving Our Democracy) and Chryl Laird (Steadfast Democrats: How Social Forces Shape Black Political Behavior). This session will be moderated by WGBH’s Callie Crossley.
Elections: Is This the Best We Can Do? brings together three authors whose works prompt reflection on everything from gerrymandering to the primary system to the electoral college itself: Katherine M. Gehl (The Politics Industry), Alexander Keyssar (Why Do We Still Have the Electoral College?), and David Daley (Unrigged). This conversation will be moderated by WBUR’s Anthony Brooks.
For a glimpse at another pre-election BBF (and what seems like a lifetime ago), check out the audio archives from this BBF 2016 politics session, featuring McKay Coppins, Ellen Fitzpatrick, Alexander Keyssar, and Joy-Ann Reid, moderated by Anthony Brooks.
We are grateful to the James M. and Cathleen D. Stone Foundation and Plymouth Rock Assurance for sponsoring, for the second year in a row, a session highlighting winners and nominees for the MAAH Stone Book Award, which honors scholarship in African American history. This year’s session, moderated by 2019 Stone Award finalist Kellie Carter Jackson (Force and Freedom) also features Vincent Brown (Tacky’s Revolt), Kerri Greenidge (Black Radical), Garrett Felber (Those Who Know Don’t Say), and Jelani M. Favors (Shelter in a Time of Storm). Their discussion will focus on the many forms of constant, continued resistance by Black Americans against racism and racist policies and practices from the time of enslavement through to the present, the surge of particular Black radical movements at unique moments in history, and the wide range and diverse forms of activism cultivated in the Black community— from religious to academic institutions.
This is just one of several BBF 2020 sessions focusing on activism—read more about these sessions in our earlier blog post here.
You can hear last year’s MAAH-Stone Book Award session, “Black History Detectives,” here; it features Tera W. Hunt and Stephanie E. Jones-Rogers, in conversation with moderator Rayshauna Gray.
We’re pleased to partner with Mass Poetry on two incredible poetry sessions for the BBF online:
A conversation with Boston’s Poet Laureate Porsha Olayiwola (i shimmer sometimes, too) and first-ever Youth Poet Laureate Alondra Bombadilla will consider the role of poetry in civic life. This event is co-sponsored by Mass Poetry and the Mayor’s Office of Arts and Culture.
Our perennially popular “Poems and Pints” sessions might be BYOB this year, but we’re excited about the possibilities of the virtual format for bringing depth and multimedia capabilities to readings by Diannely Antigua (Ugly Music),George Abraham (Birthright),Franny Choi (Soft Science), and Kay Ulanday Barrett (More Than Organs), in an evening hosted by Krysten Hill (How Her Spirit Got Out).
Stay tuned, and check back often on our presenters page for more announcements and updates!
This year, we’re rolling out our lineup gradually through the rest of the summer, along with blog posts, features, and more information about the dozens of creative authors and artists who will be joining us online this October. This week, we’re spotlighting the luminaries who will be joining us for solo/headlining sessions at the BBF:
Ayad Akhtar is a Pulitzer Prize–winning playwright and author of the novel American Dervish. His latest novel, Homeland Elegies, is a work of autofiction, called “a provocative and urgent examination of the political and economic conditions that shape personal identity, especially for immigrants and communities of color” by Publishers Weekly. At the BBF online, Akhtar will be interviewed by Suzanne Nossel, head of PEN America and author of the new book Dare to Speak.
Nicholas Kristof and Sheryl WuDunn are a husband-and-wife writing team who have collaborated on a number of books, most recently Tightrope: Americans Reaching for Hope. The two of them also received a Pulitzer Prize for International Reporting for their coverage of the Tiananmen Square protests in 1989. WuDunn is a graduate of Harvard Business School and has worked in both journalism and finance; she is currently a senior managing director at MId-Market Securities. Kristof is a regular CNN contributor and has written an opinion column for the New York Times since 2001.
Michael Murphy is the Founding Principle and Executive Director of MASS Design Group, a nonprofit architecture and design collective that leverages buildings, as well as the design and construction process, to become catalysts for economic growth, social change, and justice. The group’s work, which includes the widely acclaimed National Memorial for Peace and Justice, has been collected in a new monograph, Justice Is Beauty.
Guy Raz is a radio host and correspondent who has co-created three NPR programs: TED Radio Hour, How I Built This, and Wow in the World. His new book, How I Built This, is based on the program and podcast of the same name. At the BBF, Raz will be interviewed by Linda Pizzuti Henry, the managing director of the Boston Globe and the founder of HUBweek.
Michael J. Sandel is the Anne T. and Robert M. Bass Professor of Government at Harvard University. His wildly popular course “Justice” was the first Harvard course to be made freely available online. Sandel is the author of a number of books, most recently The Tyranny of Merit: What Becomes of the Common Good?
Natasha Trethewey served two terms as the Poet Laureate of the United States and received the 2007 Pulitzer Prize in Poetry for her collection Native Guard. Her latest work is a memoir, Memorial Drive, called by the Washington Post “an examination of the Old South colliding with the new, a chronicle of one artist’s beginnings, and of a changing America.” For the Boston Book Festival, Trethewey will be interviewed by Callie Crossley on Crossley’s radio show Under the Radar on 89.7 WGBH, as part of the ongoing series “Bookmarked: The Under the Radar Book Club.”
As we announced last week, we’re thrilled to welcome two celebrated author-illustrators for children to our lineup (and to the virtual classrooms of our Shelf Help partner schools!): Jerry Craft, author of New Kid (which was awarded both the Newbery and Coretta Scot King medals) and of the forthcoming Class Act; and Juana Medina, the Pura Belpre Award–winning author-illustrator of Juana & Lucas and the creator of many other acclaimed works for young people.
And finally, as previously announced, Grace Talusan will be featured at a lively town hall discussion focused on her story “The Book of Life and Death,” this year’s One City One Story selection.
Stay tuned, and check back often on our presenters page for more announcements and updates!
Boston Book Festival has launched a community writing project to capture this moment in history. We asked residents to send us stories of their experiences during the pandemic, from the acts of kindness by neighbors to the challenges in our biggest hospitals. Many people told us about their experiences as healthcare workers on the front lines fighting COVID-19. The following collection gives us a glimpse into a few of those stories.
To check out more At Home Boston stories, visit BBF’s Facebook and Instagram accounts. We will be sharing submitted stories through the summer.
Originally from Rochester, NY, Vinayak Venkataraman is currently a resident physician in both internal medicine and pediatrics at Massachusetts General Hospital who finds great joy in the experience of caring for others (and writing about particularly meaningful ones)
This week, I spent my days with patients who wouldn’t wake up. We patted. We prodded. We rubbed. We yelled. “Can you hear me?” Their lungs survived COVID’s rampage. Their ventilators weaned low, their sedation finally shut off. Their minds, however, failed to reignite. It’d take weeks to know if they ever would. Until then, we’d see squints or grimaces. They’re fleeting. We later see nothing.
This week, I spent my afternoons in devastation. Informing sheltered-away families about their lonely loved one’s day. Most weren’t getting better, or worse. They lived in a limbo of sustained slumber, able to breathe but not able to protect their windpipe. Explaining “Trach & PEG” by phone was a daily linguistic and emotional challenge I never want again. One’s sister asked, “Is he suffering?” I didn’t know how to answer.
This weekend, I await the parade of Zoom. One silver lining of COVID has been renewed connection with distant family and friends. They’ll ask how I am. I’ll deflect. I won’t tell about the nightmares, where I’m on the receiving end of those afternoon calls, being updated on them. The thought too grave for my imagination to bear. I wake up, sweating.
Katherine Kilgore is originally from Santa Fe, NM and moved to the Boston area with her partner and her puppy; she is currently a 3rd year psychiatry resident at Massachusetts General Hospital/McLean Hospital
It’s 5 o’clock in the morning. On any other day of any other year, I would awaken begrudgingly to an alarm whose sonorous melody was carefully chosen to peacefully rouse me from my slumber so as to prepare me for what would promise to be another busy day. A day filled with comforting patients, calling concerned family members, collaborating with other clinicians, learning about a new medication.
Today, however, day sixty-five of quarantine, I awaken without such urgency, my mind filled instead with worries about the unborn child nestled deep within my womb, the child I am working tirelessly to protect from the outside world, from the tainted breath of his father, who spends his days caring for those dying from the dreaded virus.
5 o’clock in the morning once meant coaxing my eyes open to a coffee-filtered reality sounding the alarm for the day; today it means awakening to a loud chorus of thoughts, thoughts which have surely raced through the night narrating the anxiety dreams of which I try to make sense. A question echoes, rings through the deepest crevices of my mind and heart: will I be able to keep him safe?
Elizabeth Sommers is a public health worker and advocate.
Although I wasn’t consciously seeking to read books about pandemics during my furlough from the hospital where I work, two books made their way to the top of my reading list. “Rush: Revolution, Madness, and Benjamin Rush: The Visionary Doctor who became a Founding Father” by Stephen Fried and “The Murmur of Bees”, a novel by Sofia Segovia.
Benjamin Rush, a public health advocate who was a signer of the Declaration of Independence, has been called the “American Hippocrates”. During the recurring yellow fever epidemics of the late 18th Century, Rush treated patients in the Philadelphia area. Segovia’s novel is set in rural Mexico and begins with the Spanish Flu epidemic of 1918.
It struck me that the same issues of need for physical distancing and temporary isolation, availability of protective equipment and social turmoil were common elements of all three epidemics. Just as temporary isolation is required for safety, it also strains families and communities. The effects of economic insecurity are recurring themes in each epidemic, as is the need to balance societal priorities in times of precarious uncertainty.
Michelle Heron is a Registered Nurse, Mama, and Yoga teacher
This is the face behind the mask, the face I want my patients to see. The social distancing, shielding, gown, gloves, tight fitting respirator, and mandatory mask wearing for every patient interaction is new world nursing. I have been a caregiver for half of my life, working in hospitals for 22 years. Due to the COVID-19 pandemic, I have been working as a relief nurse, which means I am floated to where I am needed. Floating is a challenge that requires adaptability, flexibility and courage to face the unknown. My kids are old enough to understand what I do for work and how important nurses are to the health of our communities. They know I work long shifts, overnight shifts, weekends, and holidays. They know I can’t hug them right away when I get home, and they know that meals without me are routine. We connect over video calls, catch up on homeschooling, and they send me love and smiles to cheer me on. I don’t know what the future of my nursing career holds, but I do know that nursing has always been a practice of hope, support, strengthening, caring and empowering others.
Samantha Fabian is a COVID Nurse
I am a nurse caring for patients with COVID-19. My unit was turned into to a COVID-19 dedicated unit when the storm raged in. I am also a mother to two babies.
I sit in the parking lot before my shift and I cry. I write my feelings down as an outlet and therapeutic tool. I need people to hear me. I want to scream at the top of my lungs for people to understand how hurtful it is to watch people not social distance while I sit with my patient as she cries and struggles to breathe after she watched her husband succumb to COVID-19, and now it is her turn to fight.
I want to pray. I want to cry. I want to do anything I can to make this better. What I do is go into work and care for patients. I nurse the hardest and bravest I ever have in my life.
I also need people to know I suffocate. I have to wear a tight-fitting mask that I cannot remove for hours at a time. Sometimes we are only allowed one. And now our masks will be sent off to be decontaminated, they tell us. They will be sprayed with chemicals and given back to wear over and over. We used to throw these masks out after we left each patients’ room. Every single time. I feel like we are being poisoned. By our own carbon dioxide. By our PPE.
Yet l feel lucky enough to even have something to protect me. I feel betrayed. How can this be real? How can we be doing “God’s work,” the most noble profession, but be treated this way. I make the choice to leave my family and be a nurse. Be brave for the ones who need me. I will save a life and, sadly, I will comfort as a life is lost. I am fiercely committed to my patients, as all nurses are. That is why we are putting our health on the line.
But we are worth more. Our lives and our safety are worth more than this. Please stand by us. Please help us by doing your part and staying home. And hear us. We are suffocating.
From a sad nurse.
Stephanie Collier is a psychiatrist at McLean Hospital.
I work with vulnerable older adult patients with medical complexity and mental illness. I also work with trainees in psychiatry who are demographically classified as lower risk. Although I worry about everyone’s safety, I worry most about the people with hidden risk factors.
We do not know whether the virus itself or the consequences of the pandemic will harm people with mental illnesses more. Similarly, we do not know whether the virus itself or the consequences of the pandemic will harm young doctors more. Although we have models illustrating how social distancing saves the lives of vulnerable older adults, we also understand that social distancing increases the neglected outcomes of malnutrition, child abuse, and domestic violence. We do not know the effects of isolation on vulnerable individuals, just as we do not know the effects of going into work on vulnerable individuals.
We do know that there is great heterogeneity within these groups and that staying at home, or going into work during an epidemic, will have profound effects on the mental health of individuals. This suffering will often remain hidden until a life is lost to suicide or illness.
Amrapali Maitra is a resident physician in Internal Medicine at Brigham and Women’s Hospital and an anthropologist.
I often revisit the scene in Arundhati Roy’s The God of Small Things where Ammu and Velutha meet at the riverbank. The Big Things are overwhelming—the caste differences that forbid their love—so they focus on Small Things. An insect has built a home out of rubbish and leaves. They tend to minutiae like life depends on it.
The pandemic is a study in Small Things. On a walk, I hear a blue jay’s liquid screech. Enjoy fuchsia eruptions of rhododendrons in the Arboretum. Inhale ash from my neighbor’s backyard, conjuring nights of s’mores and songs. Spy a family of squirrels relocate to the rain gutter.
COVID has transformed my identity as a doctor. In March, I cared for cancer patients. But while pregnant, every moment in the hospital became a negotiation between duty to others and obligation to the life inside me. So, I transitioned to virtual care.
Sitting at my dining table, I begin each phonecall, “This is Dr. Maitra! How are you coping?” The words are chalky in my mouth. I swallow the guilt. Sheltering in place, I’m no hero. Then I feel my daughter’s forceful kicks and realize, I’m exactly where I need to be.
Jane deLima Thomas is a palliative care doctor at Dana-Farber Cancer Institute and Brigham and Women’s Hospital in Boston.
My father had a massive stroke on April 13th. My mother called me and said, “If you want to see him, you should come now.” Without thinking about COVID or my mother’s fragile immune system, I leaped into the car and drove to their home. I looked down at the man who had raised me and I scanned his face and hands, committing them to memory. I told him I loved him and I believe he mumbled that he loved me, too.
I am a palliative care doctor, and during the pandemic I’ve had to call families and tell them they couldn’t come to the hospital to see their dying loved ones. I have withstood their anger, tears, and begging, knowing it was safest for everyone – patients, staff, and families themselves – if they stayed away. I did my best to be compassionate, but it wasn’t until I felt the primal need to see my father one last time that I truly understood the terrible loss families experience when they are denied the same. And now I feel the heaviness of it deep in my chest every time I reach for the phone to make another call.
Katherina Thomas Medical case manager, medical humanities practitioner and researcher on epidemics
On a night shift caring for Covid-19 patients in May, I found a flock of origami birds that someone—a colleague, or perhaps a patient—had made. The hospital was quiet, most patients asleep, and so I sat arranging the birds as one of the hospital cleaners walked by. I’d come to admire them, these huge guys in double respirator masks and industrial gear, risking so much for such little recognition. What drove them, I wondered. Was their work also a form of love, like ours?
One of them came over. He cradled a delicate bird in his double-gloved palm, and in Spanish he called his colleague over. They towered over me, they held the swans so tenderly. And although we’d never really seen each others’ faces, for a moment we were no longer under fluorescent lights and layers of plastic, but outside, in nature, with friends. Afterwards, as the cleaners walked away, I grabbed a pen. I wrote LOVE IS POWER on the wings of one of the birds, and I went back to work.
Joanne Cassell is a mother, nurse, patient advocate and life long student.
Who are the Real Heroes?
They are calling me a superhero but I don’t feel like one. The superheroes are the people fighting for their lives. Like the psychotic person keep alone in isolation at a time when he needs counseling and group therapy or the person who is dying and the family has to talk to them by phone or the patient who just got extubated and her son is still intubated in the next room.
Before I go to work in the morning I have to make sure I eat and drink something otherwise there is just not enough time. Caring for Covid-19 patients is physically and emotionally challenging. Wearing an N95 mask, the suits and shields all day is a nightmare. I often get overheated, my throat gets dry and I become lightheaded from sweating and breathing in my own CO2.
Finally, when I get home I don’t recognize myself in the mirror. My face is marked and aged from wearing a mask for twelve hours and my body weak from the long day. I take a hot shower wishing for peace and quiet – no beeps, or phone calls. I mindlessly watch TV and cuddle the dogs. I struggle to get some sleep, but it often evades me because I am filled with guilt and fear that I could have done more.
Earlier this week, the Boston Book Festival announced that the Rafael Hernández K-8 Dual Language School in Roxbury and the English High School in Jamaica Plain are the recipients of our highly competitive Shelf Help grant for 2020. The grant helps two school libraries fill their shelves with brand-new books of their choosing—many of which are crowd-donated by BBF festival-goers. In addition, the winning schools are each treated to a memorable visit by a well-known author or illustrator in conjunction with their festival appearance.
The magic of these school visits happens because of our partnership with Wondermore, a local nonprofit dedicated to children’s literacy. Wondermore specializes in curating author school visits, and we’re excited to see what they have in store for this year’s virtual sessions.
The Hernández School will enjoy a visit by celebrated kids’ author and illustrator Juana Medina in October during the Boston Book Festival Online, which will run from October 5–25. Medina is the author and illustrator of the Pura Belpré Award–winning chapter book Juana & Lucas, as well as for Juana & Lucas: Big Problemas, 1 Big Salad, ABC Pasta, and Sweet Shapes.
The school visits are an integral part of the Shelf Help Program and a way to bring our festival fun to children that may not otherwise have the opportunity.
Students at the English High School will enjoy a session with Jerry Craft, a New York Times–bestselling author-illustrator who has worked on numerous picture books, graphic novels, and middle grade novels, including the Newbery Award–winning graphic novel, New Kid. It was just recently announced that Universal Pictures is teaming up with LeBron James on a film adaptation of New Kid. Jerry is also the creator of Mama’s Boyz, an award–winning syndicated comic strip. He has won five African American Literary Awards and is a cofounder of the Schomburg Center’s Annual Black Comic Book Festival.
The school visits are an integral part of the Shelf Help Program and a way to bring our festival fun to children that may not otherwise have the opportunity. We were delighted to be able to speak with Wondermore’s executive director, Rebecca Coll, about the organization’s mission and impact, some memorable school moments, and its partnership with BBF.
Could you talk about Wondermore’s mission and how you approach your programming?
Wondermore is a children’s literacy organization. We have been around since 1983, and for the past 15 years we have focused our literacy work on bringing authors and illustrators into Boston-area schools for curriculum-aligned author and illustrator visits.
Wondermore envisions a world in which all children have the opportunity to see themselves in the books they read and are inspired to become lifelong learners. It is well documented that children who love to read become adults who have more opportunities available to them. Our mission is to inspire a love of reading and a love of good books by introducing students to authors and illustrators who reflect our diverse and vibrant communities.
Wondermore envisions a world in which all children have the opportunity to see themselves in the books they read.
Our work has never been more important than it is now. The collective desire for positive social change and the resulting anti-racism protests are on the news every night, dominating social media, and a constant theme of discussion in our communities. Given this recent heightened interest in social justice and the natural alignment with our work, Wondermore will prioritize and emphasize working with Title 1 schools this year. Literacy and sparking a love of reading remain our primary mission, but we now have a unique and timely opportunity to inspire children in the midst of this social turbulence with role models they can relate to and with books in which they can see themselves. We strive to be a part of an anti-racist solution to the social inequities we are currently experiencing in our society.
Students interact in small groups with author Andrea Davis Pinkney.
Wondermore programming comprises a three-part approach: 1) enrich curriculum by selecting books and authors that support academic objectives; 2) motivate and inspire students by creating an environment where students can directly interact with authors and illustrators; and 3) add to school and home libraries by donating copies of the authors’ books to the school and to each participating student to take home and keep.
Note that given the realities of COVID-19 and its impact on schools, we have a plan in place to run our program 100% remotely this school year.
Why is it important for children to connect with authors and illustrators? What impact do you hope that has?
Something magical happens when a student meets an author. Sure, there is the “wow” factor we all feel when we meet someone famous, but an author visit in a school is not about that. Author visits make academic and cultural connections (“mirrors” or “windows”) that enable students to see themselves in the wider world. Students recognize that anyone can be an author or an illustrator if they wish to and if they work at it. Students engage with the curriculum in a deeper, more meaningful way, directly connecting their experience with the experience and work of an author.
Juana Medina on an author visit. She will be head to the Rafael Hernández in Roxbury this year (virtually!).
The impact of this kind of connection is limitless. The most immediate and obvious impact is that when a student meets an author, and particularly an author (or illustrator) to whom he or she can relate, they are motivated to read more of that author’s works. Perhaps students find they want to read more books written in the same genre as the author’s books, or maybe they want to read more books from that particular time period, or books about the same specific subject. Whatever the motivation the student has, the author visit is the catalyst.
There are other, less obvious impacts, as well. When a child sees herself or himself in the books they read, they are empowered to imagine themselves in that world, or better yet, they can imagine themselves creating a world that they previously may not have considered. An inspired and motivated student opens doors for herself or himself as they move forward. The empowerment that comes from a confidence in reading can be pivotal in the decisions that a student makes as he or she moves forward in life.
How do you work with schools both before and after the school visits?
Wondermore author visits are unique. The fundamental requirement for Wondermore to work with a school is that the school must commit to having every child read at least one book by the author prior to the author’s visit. This ensures the students are familiar with the author’s work, and most of the visit can be focused on what it means to be an author or illustrator. How do authors conduct their research? Where do they find inspiration? How long does it take to write or illustrate a book?
In preparation for an author visit, teachers (or librarians) work with Wondemore to select a book and an author or illustrator that supports their specific grade-level curriculum. Our aim is to add value to the work educators are already doing with their students. If they are studying civil rights, perhaps we select (author) Carol Boston Weatherford’s Voice of Freedom: Fannie Lou Hamer, The Spirit of the Civil Rights Movement, or maybe (illustrator) E.B. Lewis’The First Step: How One Girl Put Segregation on Trial. Perhaps the school has a large Latinx population, then (bilingual author-illustrator) Juana Medina’s Juana & Lucas series would be a perfect fit. Each author visit is planned specifically for that school based on academic connections.
Our aim is to add value to the work educators are already doing with their students.
Once an author is selected, teachers prepare the students by reading the books together and assigning projects that further enhance the students’ understanding of the work. Taking the civil rights example above, students may prepare a timeline of events that have taken place on the march toward civil rights and perhaps place where the book falls within that timeline (yes, we have had schools do this and it’s amazing!).
The Wondermore program is a connection that does not stop the moment the author leaves the room. Wondermore follows up with educators to see how we can learn and grow from the experience. Many times we will return to the same school year in and year out, carrying forward what we have learned from working together the year before. For example, students will often write us letters telling us what they liked about the experience, or educators will reach out to let us know how they continued on a theme the author mentioned.
Could you take us inside a school visit? What are some of the magical elements? Do you have a few memorable moments you’d like to share about from a Wondermore session?
Wondermore typically does not conduct “assembly” style visits. We prefer for author visits to take place in a library or classroom where smaller groups of students can have a direct interaction with the author. The ideal size is 40-60 students. An author visit is 45 minutes long and an author or illustrator will conduct up to three of these visits in one day. The first 30 minutes are a presentation by the author followed by Q&A.
Three examples of “magical” moments:
Last year, at the BBF Shelf Help winning Orchard Gardens Pilot School, the librarian and teachers went above and beyond in preparing their students. Not only had the students read all of author-illustrator Brendan Wenzel’s books, but the art and the music classes got involved, as well. The younger students created brightly colored animal sculptures in the style of Wenzel’s illustrations in his book Hello, Hello. When we walked into the library, these amazing sculptures were on display creating an atmosphere of celebration and creativity. Inspired by the same book, the older students worked with their music teacher to compose a stunning original strings composition, recreating the sounds of the animals with music. The day ended with the older students performing their original score to the delight and joy of not only the other students, teachers, and visitors in the room, but to Brendan Wenzel himself, who was blown away. Read more about this school visit here.
What followed was a robust conversion about research, primary sources, technology, and integrity in data. A remarkable topic to have the rapt attention of so many young students!
During a visit to the Dudley Street School, Raúl the Third, illustrator of bilingual graphic novels and picture books, was asked by a second-grader “what kind of materials do you need to be an illustrator?” Raúl explained that he only needs four things: a red pen, a blue pen, a black pen, and a piece of paper. He told the students that he didn’t have a lot of money growing up, but he always carried his three pens with him (pens he often found lying on the ground) and drew and sketched whenever he could. He shared that these are still the materials he uses for many of his illustrations. The kids in the room were all smiling at each other after that answer, because they realized that every one of them had the tools and the potential to become an illustrator.
Raúl the Third, illustrator of bi-lingual graphic novels and picture books, reads with students from the Dudley Street School in Roxbury.
A final “magical moment” example was during a visit by author-illustrator Oge Mora to the Nathan Hale School. While discussing with first graders what goes into researching a book, Oge explained how, in order to illustrate the book The Oldest Student, she would have to fly down to Chattanooga, Tennessee, to learn more about the main character, a former slave who learned to read at the age of 116. Since there was almost nothing about her available online, Oge worked together with a librarian at a Chattanooga library to find old newspapers and articles that were stored only on microfilm. “Microfilm? What’s that?!?” the kids shouted. What followed was a robust conversion about research, primary sources, technology, and integrity in data. A remarkable topic to have the rapt attention of so many young students!
What do you like most about collaborating with BBF’s Shelf Help program?
The BBF Shelf Help program is an ideal complement to the work we do in schools. Both our organizations work towards increasing exposure and access to books for children, and both are Boston-based organizations reaching out into our local communities.
Partnering with BBF Shelf Help is always a joy, as it often gives us an opportunity to work with authors who are in town for the festival who we may otherwise not be able to work with. The partnership exposes us to new authors and illustrators, affords us the opportunity to work with a new school, and gives us the chance to be a part of a vibrant annual event on the Boston calendar.